We’ve worked with Diageo, Shell, BP, Johnnie Walker, Welcome to Yorkshire (Tour de Yorkshire), Network Rail, Bouygues UK, Walmart, University College London Hospitals and The Open (Golf).
Concept, shoot, edit and delivery, or any part of it. We work alongside in-house teams as readily as we run a production from the start.
Most shoots need more than aerials, so we bring a ground unit and an air unit as one crew. One call sheet, one point of contact.
On the ground, Sony FX5 and FX6. On the FX5 that means Open Gate and X-OCN raw at 15+ stops. In the air, the Inspire 3 records ProRes RAW and CinemaDNG at 14+ stops. The two grade together, which is rather the point.
A director’s monitor on location as standard, so the people making the decisions can see the shot as it happens.
Rushes leave site the same day, and anyone back at base can review before you’ve wrapped.
Batteries top up between takes without a generator running under your sound.
Tell us about the project and we’ll advise on the right crew and kit for the location, the schedule and the budget, and what help we might need from you to make it work.
